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  • A Chance for Art
    Pierce, John R.. A Chance for Art In Cybernetics, Art and Ideas, edited by Jasia Reichhardt, 46 - 56. London: Studio Vista, 1971.
  • Cybernetics, Art and Ideas
    Reichardt, Jasia, ed. Cybernetics, Art and Ideas. London: Studio Vista, 1971.
  • Paul DeMarinis
    Paul DeMarinis has been working as an electronic composer since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. He has taught computer, video and audio art at Mills College,
  • Computer Art for the Video Picture Wall
    Whitney, John. Computer Art for the Video Picture Wall Art International XV, no. 7 (September 20th 1971): 35-38.
  • Edinburgh Festival 1971 -
    Event: Edinburgh Festival 1971Institution: Edinburgh International FestivalComment:
  • Featured Artwork "Campos ❘ Temporales" by Paul Hertz (2022 - 2023)
    Campos | Temporales (2022 - 2023) by Paul Hertz is a large-scale architectural video installation created for 150 Media Stream in Chicago, featuring a musical composition by Christopher Walczak during its opening night.
  • Untitled (Computer Project) - video
    For more than 10 years, Matt Mullican has been continuously developing a sign system which is, on the one hand, a product of his imagination, and on the other, taken directly from everyday life. Signs as they can be found in airports, train
  • Eventstructures
    Shaw, Jeffrey. Eventstructures In International Symposium on Pneumatic Structures, Delft Universitity of Technology, Delft, edited by Stichting P.D.O.B.Delft, NL: 1972.
  • Paul Hertz
    Paul Hertz is an independent artist, printmaker, and curator who works with algorithmic processes. From 1971 to 1983, he lived and worked in Spain, where he collaborated with actors and musicians. He earned a BA in Fine Arts from Brown University
  • Evelina Domnitch
    mitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
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