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  • Carter, Brian, ed. WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect. Halifax: TUNS Press, 1996.
  • Kovats Stephen and Cramer Florian and Petresin Natasa and Vincent Cédric and Kunst Bojana and Holmes Brian. Conspire (transmediale pacours 1). Frankfurt am Main, Germany: Revolver_Archiv für actuelle Kunst, 2008.
  • Inflatable tubing burst through a wall of brick-printed plastic that covered the shop window. This tubing was then taken into the street and used to signal the boundaries of controversial urban renewal planning in this area.
  • The Value of Art -
    2013 The Brick Lane Gallery (28. Februar bis 11. März 2013 ) Annex 93-95 Sclater St. E16HR, London, England
  • As part of Cao Fei's RMB City installatio0n, collaboration with Gazira Babeli
  • Bricken, Meredith. Inventing Reality (HTL Memo No. M-89-2). Seattle: 1989.
  • Artificial Landscapes -
    'Artificial Landscapes' were Land Art projects in the form of a series of photographic collages, a few of which were actually realized: Cloud of Daytime Sky at Night, Water Totems, Sandquake, Grassroll and Brickhill. These projects typically
  • Brickhill -
    An air-inflated cone-shaped structure printed with the image of bricks, which people could jump onto.
  • This installation entitled There's no simulation like home is the culmination of artistic telematic research since 1992. The exterior of the installation resembles the back of a plasterboard stage set, or as if the bricks of a house had been
  • The Art Collider -
    Artistic Statement The proliferation of networks and communication systems fosters the free circulation and the diversification of exchanges, which create a redistribution of values, as opposed to those in economics which are merely transactions.