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Computer-Produced Movies
1965
Knowlton, Kenneth C.. Computer-Produced Movies Science 150 (1965): 116 -120.
Arte virtual locativo. Transgresión del espacio con dispositivos móviles
2015
Schianchi, Alejandro. Arte virtual locativo. Transgresión del espacio con dispositivos móviles. : Arte x Arte, 2015.
Disembodied Voices
2004
Disembodied Voices, 2004 was a five projector multi-sensory interactive installation in which the viewer moves through a series of experiences exploring the differences between public and private life and how the global phenomenon of cell-phone
II Bienal de la imagen en movimiento´92. Visionarios españoles
1992
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1993
Event: II Bienal de la imagen en movimiento´92. Visionarios españolesInstitution: Museo Nacional Centro de Arte Reina SofíaComment:
data.spectra
2005
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2005
data.spectra is the first work of the data.series. Across the entire width of a darkened room is an intensely bright, narrow screen. On moving closer, the screen reveals that the source of the flood of light into the room is a vast array of tiny
Chaser
2007
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2007
Chaser transforms the top windows of the Tyne Bridge Tower in Gateshead into a rapidly moving light circuit of intense colour. Visible across the river Tyne in Newcastle, Gateshead and beyond, the animation will continually ‘chase’ around the
Digital Reflections : Liquid Views
2002
Digital Reflections
Digital Reflections
2002
Museum of the Moving Image, New York: »Digital Reflections
MRI Butterfly
2008
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2008
MRI Butterfly is an animation set to music employing the MRI digital prints. By animating the photographs, the moving image produces a dance of thought, similar to the way the brain receives data. In a hide-and-seek type of perception, the animated
Peristrephic Pleasures, or the Origins of the Moving Panorama
2004
Huhtamo, Erkki. Peristrephic Pleasures, or the Origins of the Moving Panorama In Allegories of Communication: Intermedial Concerns from Cinema to the Digital, edited by Jan Olsson and John Fullerton, 215-248. Rome: John Libbey, 2004.
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