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Popper, Frank. Art of the Electronic Age. New York: Thames and Hudson, 1997.

Benayoun, Maurice. So What? In Future Cinema, the Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 572-581. Boston, Massachussets: ZKM/ MIT Press, 2003.

Museen der Stadt Dortmund, ed. vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund. Ostfildern-Ruit: Hatje Cantz, 2000.

Fischnaller, Franz. Multi Mega Book in the Cave In MULTIMEDIA GRAND PRIX´97, , 15. Japan: 1997.

Graham, Beryl. Not A Show About New Technology, A Show About Interaction In Serious Games, London: Barbican Art Gallery and Tyne and Wear Museums, 1996.

Goldberg, Ken and Billy Chen. Collaborative Control of Robot Motion: Robustness to Error In IEEE/RSJ International Conference on Robots and Systems, : 2001.

Hamlett, Sian; Prophet, Jane. Sordid Sites: Voyeurism and Exhibitionism in the Internal Organs of a Cyborg FELIX Magasine: Voyeurism Issue (2000).

Hartwagner, Georg and Stefan Iglhaut and Florian Rötzer, ed. Künstliche Spiele. Grafrath, DE: Boer Verlag, 1993.

Hershman, Lynn. Room of One´s Own - Slightly Behind The Scenes In Iterations: the New Image, edited by Timothy Druckery, 150-156. Cambridge, London: MIT Press, 1994.

Reichle, Ingeborg. Kunst und Biomasse: Zur Verschränkung von Biotechnologie und Medienkunst in den 90er Jahren Kritische Berichte 1 (2001): 23-33.