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Move 36
2005
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2005
Event: Move 36Institution: Centro Cultural Conde DuqueComment:
Move 36
2004
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2004
Event: Move 36Institution: Gwangju BiennaleComment:
Move 36
2004
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2004
Event: Move 36Institution: XXVI Bienal de Sao PauloComment:
Move 36
2004
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2004
Event: Move 36Institution: ExploratoriumComment:
More Than Us
2022
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2022
Exploring climate prediction as a game of chance and of skill, More Than Us offers us a glimpse of the astronomically huge dataspace we exist in. Two communities of colourful geometric shapes drawn, or ‘recycled’, from Suprematist paintings of the
Active Living Infrastructure: Controlled Environment (ALICE)
2021
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2021
Exploring climate prediction as a game of chance and of skill, More Than Us offers us a glimpse of the astronomically huge dataspace we exist in. Two communities of colourful geometric shapes drawn, or ‘recycled’, from Suprematist paintings of the
Image To Paul Klee
1989
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1989
Length: 4min. 30sec. Electronic frequencies determine certain computer generated patterns and at the same time the movement of sand particles. The videographic inteference of these two images creates a poetic aspect akin to certain works of Paul
excerpt from Plot Against Time #4 (Atlantique Baroque)
2008
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2008
Based on footage of gannets diving for small fish off the coast of Newfoundland. This is the 4th in a series of works that explore patterns of movement over time.
Langgpath
2018
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2018
Kinetic sculpture that represents in real time the transfer of files from a database of moving bodies. Files of type BVH (biovision hierarchical files) are transferred between servers in the northern and southern hemispheres coinciding with the
Luke Fowler
is an artist, filmmaker and musician based in Glasgow. He studied printmaking at Duncan of Jordanstone College of Art and Design in Dundee. He creates cinematic collages that have often been linked to the British Free Cinema movement of the 1950s.
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