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  • I-Camera -
    I-Camera is a tool for automatic representations of spatial relationships among photos for reviewing and analyzing the structure of a photographic subject. Based on camera tracking, photos captured with I-Camera are shown in a 3D virtual reality...
  • I, and My Circumstance: Mobility in Contemporary Mexican Art -
    Event: I, and My Circumstance: Mobility in Contemporary Mexican ArtInstitution: The Montreal Museum of Fine ArtsComment:
  • I'Myth: Zapping Zone - video
    This study presents an evolutionary system which generates images representing myths of human culture as synthetic identities. The myths are described by categorized terms and combined by genetic algorithms producing new individuals. Objects are...
  • I'Myth: Zapping mobile zone -
    Event: I'Myth: Zapping mobile zoneInstitution: Biennale do MercosulComment:
  • I'Myth: Zapping mobile zone -
    Event: I'Myth: Zapping mobile zoneInstitution: Haus der Kulturen der Welt Comment:
  • I'Mito: zapping zone
    DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
  • I'Mito: zapping zone
    DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
  • I'Mito: zapping zone
    DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
  • I'Mito: zapping zone
    DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
  • I'Mito: zapping zone
    DOMINGUES, DIANA MARIA G. I'Mito: zapping zone Emoção Art Ficial 2 0 Divergências Tecnológicas , no. 2 (2004).
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