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Robot
s A
vatars Dealing wih Virtual Illusions
1999
Fischnaller, Franz. Robot
s A
vatars Dealing wih Virtual Illusions In Cyberarts `99: International Compendium Prix Ars Electronica, edited by Christine Schöpf and Hannes Leopoldseder, 49-50. Vienna, New York: Springer, 1999.
Interaktive Echtzeit – Computerin
sta
llation auf der Light Emotions in Hannover
1996
Sommerer, Chri
sta
and Laurent Mignonneau. Interaktive Echtzeit – Computerin
sta
llation auf der Light Emotions in Hannover In Licht International: Planung – Design – Technik – Handel, , 206-207. München, DE: Pflaum Verlag, 1996.
Criacao e interatividade na ciberarte
2002
Domingues, Diana. Criacao e interatividade na ciberarte. São Paulo, BR: Experimento, 2002.
Tracking The Net, Interactive Art
2000
Fischnaller, Franz. Tracking The Net, Interactive Art In IX Festival internacional de video y multimedia de Canarias, Mediafest, edited by Canarias Mediafest, 123-128. Canarias,
Spa
in: 2000.
Interview with Chri
sta
Sommerer at Kwangju Biennale`95
1995
Ryu, Jae-Hoon. Interview with Chri
sta
Sommerer at Kwangju Biennale`95 Cine 21 (September 27th 1995).
3e Biennale d´Art contemporain de Lyon - Catalogue de l´exposition du Musée d´Art Contemporain de Lyon (Dec. 1995 - Fev. 1996)
1995
RMN, ed. 3e Biennale d´Art contemporain de Lyon - Catalogue de l´exposition du Musée d´Art Contemporain de Lyon (Dec. 1995 - Fev. 1996). Lyon: RMN - Reunion des Musees Nationaux Editions, 1995.
So.So.So. Somebody, Somewhere, Sometime
2002
Benayoun, Maurice. So.So.So. Somebody, Somewhere, Sometime In Future Cinema, edited by Jeffrey
Sha
w und Peter Weibel: MIT Press, 2002.
Jeffrey
Sha
w - Reisen in virtuelle Realitäten
1992
Rötzer, Florian. Jeffrey
Sha
w - Reisen in virtuelle Realitäten Kunstform International 117 (1992): 286.
Kraftwerk: I Wa
s a
Robot
2003
Flür, Wolfgang. Kraftwerk: I Wa
s a
Robot. London: Sancturay Pub Limited, 2003.
Char Davies: Osmose
1995
Grant Marchand, Sandra. Char Davies: Osmose In Project Series, exhibition catalogue Musée d´art contemporain de Montréal, : 1995.
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