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  • Notes on Preliminary Plan and Accompanying Images. • The public enter through a gently curved corridor allowing time for their eyes to adjust to the low light level and obscuring the view ahead of the Forest. • Choice of paths to give a
  • Media Forum 2001 -
    Media Forum is now in its second year which is certainly no anniversary. However, this brings its organizers both a great happiness and some significant difficulties. We are happy because the pilot issue of the Media Forum 2000 programme claims now
  • During his month-long residency at Townhouse Gallery, Cairo, Warren Neidich made a series of graphic, abstract musical scores, called graphic scores, that used images instead of notes, based upon found newspaper clippings and bits of text. This
  • Face Value -
    Dead Presidents, deceased dictators, passed poets and reigning sovereigns – they watch us daily, as we swap goods for labor-power, as we sell commodities and buy resources, as we hawk dues and invest in securities, as we barter mining rights for
  • The six video segments in Jordan Crandall's installation Heatseeking were shot with a diverse array of technologies, including surveillance apparatuses used by the U.S. Border Patrol to search out and capture illegal immigrants crossing over
  • Resonance of 4 -
    Resonance of 4 (1994) is a collaborative music-creation artwork consisting of four adjacent stations, each comprised of a small podium bearing a computer mouse, a 16-by-16 grid projected onto the floor from a video projector above, and a cursor
  • Seaman, Bill. Notes on Artificial Games In Visual Proceedings - Computer Graphics Siggraph ´93, Anaheim: 1993.
  • Frauenhofer Institute for Media Communication, ed. The Composite State of Being - Notes on the Technoetic Implication of Mixed Reality. Sankt Augustin: 2001.
  • Huhtamo, Erkki. From Kaleidoscomaniac to Cybernerd. Notes toward an Archeology of the Media Leonardo 30, no. 3 (1997): 221-224.
  • Sommer, Lucia. Simon Penny´s Electronic Critique: Notes on the Politicization of Art Against the Aestheticization of Politics Cultronix 1, no. 1 (Summer 1994).