Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
85
86
87
88
(current)
89
(more)
884
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Electronic Samuel Beckett: Cochlear Samuel Beckett
2016
Sanchez Cardona, LM. Electronic Samuel Beckett: Cochlear Samuel Beckett. Documentos DAH, Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor, 2016.
The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation
2016
Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.
Jaroslav Vančát
Jaroslav Vančát, Ph.D. New media artist – multimedia art, digital art, computer art, interactive art, visual structuralism, conceptual art, video art Associate Professor at universities in the Czech Republic, new media, visual arts and creativity
Simon Penny: Sympathetic Sentience
1995
-
1995
Event: Simon Penny: Sympathetic SentienceInstitution: Galerie Samuel LallouzComment:
William Kentridge: Black Box / Chambre Noire
2005
-
2006
Black Box / Chambre Noire konzipierte William Kentridge speziell für die Reihe der Auftragsarbeiten des Deutsche Guggenheim und wählte daher inhaltlich bewusst Deutschland, das Land des Auftraggebers, als Ausgangspunkt der Arbeit. Kentridge, der
Galerie Samuel Lallouz
Worldmaking as Techné: Participatory Art, Music, and Architecture
2018
Hosale, Mark-David and Sana Murrani and Alberto de Campo, ed. Worldmaking as Techné: Participatory Art, Music, and Architecture. Toronto: Riverside Architectural Press, 2018.
Die Differenz zwischen Malerei und Medien
1989
Weibel, Peter. Die Differenz zwischen Malerei und Medien In Tuncay Boztepe, Werner Bosch, edited by Urart Sanat Galerisi IstanbulIstanbul: U. Sanat Galerie Istanbul, 1989.
The Thinking Machine
2023
-
2023
Large retrospective show with many artists from computer art history: Ai-Da Robot, Victor Acevedo, Vladimir Bonačić, Analivia Cordeiro, Pierre Cordier, Geoff Davis, Hans Dehlinger, Boris Eldagsen, Primavera de Filippi, Herbert W. Franke, Hein
Lebendige Bilder schaffen: Virtuelle Realität, Artificial Life und Transgenic Art
2000
Grau, Oliver and j. Joerges. Lebendige Bilder schaffen: Virtuelle Realität, Artificial Life und Transgenic Art In Sieben Hügel: Dschungel. Sammeln, Ordnen, Bewahren: Von der Vielfalt des Lebens zur Kultur der Natur, edited by B.-M. Baumunk,
1
…
(more)
85
86
87
88
(current)
89
(more)
884