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Lawrence Paul Yuxweluptun

Lawrence Paul Yuxweluptun, graduated from the Emily Carr School of Art and Design in 1983 with an honours degree in painting. Yuxweluptun's strategy is to document and promote change in contemporary Indigenous history in large-scale paintings, using
Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance 2010

Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.
Perceptual Analysis of Gesture Interaction Typologies in Acousmatic Music 2010

Basanta, Adam and Arne Eigenfeldt. Perceptual Analysis of Gesture Interaction Typologies in Acousmatic Music In Seventh Electroacoustic Music Studies Network Conference, Shanghai: EMS 10, 2010.
Timbral Architectures, Aurality's Force. Sound and music 2011

Salter, Chris. Timbral Architectures, Aurality's Force. Sound and music In William Forsythe and the practice of choreography: It starts from any point, edited by Steven SpierNew York: 2011.
Picturing Music: The Art of Jack Ox 2004 - 2004

Event: Picturing Music: The Art of Jack OxInstitution: Contemporary Arts CenterComment:
EMF 10th anniversary 2004 - 2005

Electronic Music Foundation 10th year
Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe 2010

Salter, Chris. Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe In William Forsythe and the Practice of Choreography, edited by Steven SpierLondon, UK: Routledge Press, 2010.
Mix.01 2001 - 2001

Event: Mix.01Institution: DIEM Danish Institute of Electronic MusicComment:
Music for Eyes and Ears 1999 1999 - 1999

Event: Music for Eyes and Ears 1999Institution: Dalhousie Art GalleryComment:
Cimatics, Brussels International Festival for Live Audiovisual Art & VJing 2003 - 2009

Cimatics\AV\Platform is an organisation that focuses on audio-visual performances, with the emphasis on those that have grown out of VJ culture and cyber culture. Most of the projects revolve around the interaction (live or otherwise) between sound

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