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Matrix-Lupe: Browser zur Exploration multimedialer Datenbestände in Verbindung mit gestenbasierter
Point
Screen Technologie
2006
... gestenbasierter
Point
Screen Technologie In...
Matrix-Lupe: Browser zur Exploration multimedialer Datenbestände in Verbindung mit gestenbasierter
Point
Screen Technologie
2006
... gestenbasierter
Point
Screen Technologie In...
2018 ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art for Monika Fleischmann
2018
-
2018
... interface - the
Point
Screen technology...
LAB 3: MARS - Media Arts ReSearch
1995
-
2012
... interface, the
Point
Screen for touchless...
Video Mashup at Five
Point
z
2012
video
... performed at 5
Point
z Art Center in Long...
Touching, Traces: The 2020 COVID Election Diaries
2020
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2020
In the first year of the coronavirus pandemic it was thought that transmission was primarily through physical contact. We were hyperaware of the surfaces we touched and of the traces that may or may not be on those surfaces. Indeed, for those alone
Instant Places
2002
Instant Places is a software fiction that creates a networked formed ad hoc to connect dispersed data places. These data places can stretch over multiple computers and also multiple network systems. They are not bound by geography, time and space.
Minds of Concern : : Breaking News
2002
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2003
This project consists of a gallery installation, a Web interface (called Public Domain Scanner) and a free downloadable news ticker. Through the Web interface: the Public Domain Scanner, visitors can select "Minds of Concern" groups, movements, or
Winning Hearts and Minds
2012
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2012
War zones are as instructive as they are destructive. Since Vietnam, they have beautifully illustrated the contradiction between capitalism and democracy. They teach the lesson that (false) democracy is an alibi for the good intentions of capitalist
World, Membrane and the Dismembered Body
1997
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1998
In an echoless room a computer and various measuring devices are used to amplify the sound of a body"s internal organs. In the silence, the visitor first hears the sounds inside his or her body, and then the amplified versions from audio speakers. A
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