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  • How to Use your Eyes
    Elkins, James. How to Use your Eyes. Colchester, UK: Taylor and Francis, 2008.
  • The Net and the Butterfly, by Francesco , Helen Varley Jamieson and Vicki Smith;
    Buonaiuto, Francesco and Helen Varley Jamieson and Vicki Smith. The Net and the Butterfly, by Francesco , Helen Varley Jamieson and Vicki Smith; International Journal of Performance Arts and Digital Media 10, no. 1 (2014).
  • Naturalia et artificialia -
    ECCENTRIC Art & Research is pleased to present its first exhibition in Milan, opening on October 12, 2016. The exhibition features the work of all its represented artists up-to-date: Ivana Adaime Makac, Jamie Allen, Tomislav Brajnović, Sarah Ciracì,
  • Appearences can be deceiving. The portal of weight and embodied meaning portrayal in product design
    Francien Verdenius and Jorge Maya and Geke Ludden and Pieter Desmet and Andrés Burbano and Vanessa Okken and Juan Salamanca and Ad Pruyn. Appearences can be deceiving. The portal of weight and embodied meaning portrayal in product design.
  • Software Archaeology and the Preservation of Code-based Digital Art
    Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.
  • Breaking Boundaries: VR & Immersive Story, Womens Film Festival -
    Ellen Pearlman: Invited Panel Member
  • Creative Technologies and Innovation: Health and Wellbeing
    DOMINGUES, DIANA MARIA G, ed. Creative Technologies and Innovation: Health and Wellbeing. Vol.1000. 27 th ed.UK: Taylor & Francis, Routlege, 2016.
  • Cyberart and interfaces: the coupled body
    DOMINGUES, DIANA MARIA G. Cyberart and interfaces: the coupled body Digital Creativity, Taylor & Francis 3, no. 15 (2004): 159-173.
  • Patricia Olynyk
    Patricia Olynyk is an artist, writer, and educator whose work explores science and technology-related themes and the ways in which social systems and institutional structures shape our understanding of the world. She was appointed inaugural director
  • Mirror -
    A dark room with a large vibrating mirror deforms the reflection of the visitor. (The installation is to be visited individually.) At first the vibrations are so subtle that you might wonder if it are your own eyes that are having trouble to focus.
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