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ARTEC 95
1995
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1995
Three main categories emerged in ARTEC '95: 1. sculptures and environments emulating life or protolife; 2. portraits and interpretations derived from the world at large; and 3. performances and displays of invented image. The Biennale continued to
Dancing with the Virtual Dervish
1995
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1995
The virtual space created by Dancing with the Virtual Dervish provides interaction and chance participation between artists and public. A dancer in goggles and gloves interacts with intelligent and controllable computer generated objects while a
Google Will Eat Itself (GWEI) - Hacking Monopolism Trilogy
2005
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2005
"In this project we wanted to buy Google via its own money. We generated revenues by serving Google text advertisements on a network of hidden websites clicked by bots. With this money we automatically bought Google shares. After this process we
Artistic Dynamic Association
„Die einzige Konstante – ist die Transformation“ ADA – ARTISTIC DYNAMIC ASSOCIATION ada is … Der Raum ist kein unbeschriebenes Blatt, er besitzt eingeschriebene Geschichte. Kein redundanter White Cube, eine Art Kunst-Club, ein Wohnzimmer im Draußen,
Terrarium
2002
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2002
TERRARIUM II net based installation explores in the physic space a ground with rocks and a topography where virtual serpents live. The space offers an immersive virtual reality networked environment which allows people to create and control
Terrapattern
2016
Terrapattern is a tool for exploring the unmapped and the unmappable: a system for finding ?"more like this, please" in satellite photos. It can also be described as "a visual search engine for satellite imagery", "similar-image search for satellite
Twin Depths
2018
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2018
Video Installation. A series of perfomances 'An attempt to return back to native element'. The installation consists seven screens with loop playing seven movies. It is based on a series of performances 'An attempt to return back to native element'
Pedro Veneroso
Pedro Veneroso, born in 1987, lives and works in Belo Horizonte, Brazil. Bachelor of Visual Arts (EBA/UFMG), master with distinction in Literary Studies (FALE/UFMG) and PhD candidate in Arts (EBA/UFMG), the artist researches the intersections
Medi@terra 2001: De-globalizing / Re-globalizing
2001
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2001
Medi@terra 01 was a travelling Festival. Its "historic journey" started from Lavrion and ended in Frankfurt (at the International Book Fair) having crossed the Balkans, and having met the artists, scientists, state agencies, universities,
We are Stardust
2008
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2010
I received an invitation to work with the NASA Spitzer Space Center at CalTech in 2008 to realize an installation project for the exhibition OBSERVE held at the Art Center of College of Design in Pasadena. Following discussions and presentations by
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