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  • Bichicuchitu - video
    Bichicuchitu” is a 3D computer animation inspired by new debates concerning biological productions that challenge definitions of what’s considered distinct species, calling for a reconsideration of notions on alterity. With the aim of reinterpreting
  • "Comestible 7-Day Meal Plan: Food as Text" combines alternative publishing with book arts and new media. It is an ecological manifesto in the form of an 84-page artist's Cookbook that infuses a critical viewpoint on the use of food as a tool for the
  • ECOSMOSIS
    The Exhibition ECOSMOSIS takes place at the Hellenic Cosmos Cultural Centre from the 30th of May to the 30th of June 2012. The concept of the exhibition is by the architect Lina Stergiou and its creation in collaboration with the digital artist
  • Processes gathered a compendium of works that used the new Tools and technological media of the moment showing new ways to create, capture, process, transmit and store informational content. In this Exhibition is evidenced the disappearance of the
  • MACHFELD (Sabine Maier | Michael Mastrototaro) Sabine Maier Sabine Maier ist „Photo & Medienkünstlerin“, die nicht nur mit den Medien arbeitet, sondern an den Medien. Seit 1999 ist sie freischaffende Foto- & Medienkünstlerin, die nicht nur mit,
  • A visual/sonic installation that immerses the viewer in quantum phenomenon. Quantum Consciousness is an audio-visualisation of atomic data which indexes the quantum “movement” of an electron. This project delivers an aesthetic and immersive
  • Strauss, Wolfgang and Monika Fleischmann. CAT - Communication, Art and Technology In Global@home: Informations- und Dienstleistungsstrukturen der Zukunft, edited by Herbert KubicekJahrbuch Telekommunikaton und Gesellschaft, Heidelberg: Hüthig
  • In Solid Landscapes verbildlicht die Künstlerin das unablässige Wachstum von nutzbaren und produktiven (Anti-)Landschaften, indem sie Zeugnisse für den dramatischen Wandel reproduziert und vervielfältigt, der weltweit in zunehmendem Maße vonstatten
  • The European Media Art Festival was held under this name for the first time in the European Film and Television Year of 1988. The concept envisaged offering visitors and participating artists an informative programme by jointly presenting different
  • The second major interactive installation was entitled The Exquisite Mechanism of Shivers (1993). It should be noted that many of Seaman's works were shown in different states and /or alternate contexts. Each version of the work informs other