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Kluszczyński, Ryszard W.. The Aesthetics of Reason and Care In Crude Life: The Issue Culture & Art Project: Oron Catts & Ionat Zurr, edited by Ryszard W. Kluszczyński, 72-91. Gdańsk: Laznia Centre for Contemporary Art, 2012.

Boucher, Marc. L´image lumineuse et la scène In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 245-272. Québec: Presses de l'Université du Québec, 2003.

Stocker, Gerfried. Takeover - About the thing formerly known as art In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine Schöpf, 16-19. New York, Wien:

Naimark, Michael. Interactive Art and the Myth of Everything-ness In Ars Electronica 1994: Intelligente Ambiente / Intelligent Environment, edited by Karl Gerbel and Peter WeibelWien: PVS Verleger, 1994.

Pettigrew, John D.. The Evolution of Binocular Vision In Evolution of the Eye and Visual System, edited by John R. Cronly-Dillon and Richard L. Gregory, 271-283. New York: MacMillan Technical Publishing, 1986.

Ryan, Marie-Laure. Looking through the computer screen: Self-reflexivity in net.art In Self-reference in the media, edited by Winfried Nöth and Nina Bishara, 269-290. Berlin: Mouton de Gruyter, 2007.

Spiller, Neil, ed. Cyber Reader: Critical Writings for the Digital Era. London, UK: Phaidon Press, 2002.

Ascott, Roy. Gesamtdatenwerk: Connectivity, Transformation, and Transcendence In Ars Electronica: Facing the Future, edited by Timothey Druckrey, 86-89. Cambridge: MIT Press, 2001.

Maurice, M.. Maurice Benayoun OPEN ART. France: Nouvelles éditions Scala, 2011.

Eiblmayr, Silvia. Die Topographie des Untergrunds In topographie II: Untergrund- Videoinstallationen in der Wiener U-Bahn, edited by Wiener FestwochenVienna: 1991.