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Zur Geschichte und Ästhetik der digitalen Kunst
1984
Weibel, Peter. Zur Geschichte und Ästhetik der digitalen Kunst In Supplementband der Ars Electronica 1984, edited by Karl Gerbel, 1-40. Linz: 1984.
See No Evil
2021
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2021
SEE NO EVIL is a drawing and text work in the form of a diary. Through a randomizing algorithm, the artist’s fictitious autobiographical text is masked by her original pencil drawings. Twenty-one of these drawings trigger augmented reality
Investigating attitudes of professional writers to GPT text generation AIbased creative support tools
2022
Geoff Davis. Investigating attitudes of professional writers to GPT text generation AI based creative support tools Phd Thesis, UAL, London, July 2022.
Something Else
2023
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2023
A contemporary, non-profit independent visual arts initiative that attempts to support Egyptian and international contemporary art.
CITU-Paragraphe in Supporting a Network of Excellence
2011
Event: CITU-Paragraphe in Supporting a Network of ExcellenceInstitution: ISEA International1Comment:
I Always Like to Go Where I Am Not Supposed to Be
2003
Allen, Rebecca and Erkki Huhtamo. I Always Like to Go Where I Am Not Supposed to Be In Women, Art, and Technology, edited by Judy Malloy, 224-241. Cambridge, MA: Massachusetts Institute of Technology, 2003.
Pollen Surfaces
2021
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2021
Event: Pollen SurfacesInstitution: Gallery InsulaComment:
Interview: George Legrady
2016
Klinke, Harald and Lisa Surkemper. Interview: George Legrady https://dahj.org/article/in-conversation-with-george-legrady.
Dara and Surrealism
2009
Kinney, Tulsa. Dara and Surrealism https://artillerymag.com/data-surrealism/.
Google Farm View: Artist Sylvia Grace Borda gives agrarian Surrey a techie treatment
2013
Kimmett, Colleen. Google Farm View: Artist Sylvia Grace Borda gives agrarian Surrey a techie treatment The Tyee (Weekend Edition) Oct 19, no. 2013 (October 2013): http://thetyee.ca/ArtsAndCulture/2013/10/19/Google-Farm-View/.
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