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  • A Modelling Method and Interface for Creating Plants
    Deussen, Oliver and Bernd Lintermann. A Modelling Method and Interface for Creating Plants Computer Graphics Forum 17, no. 1 (March 1998): 73-82.
  • Given
    https://aesthetic-machinery.com/given.html • series of five intelligent interactive video-sound installations or architectural projections controlled by hand and body gestures • 6K video projection with 4 channel interactive audio • video projection
  • Sachiko Kodama
    The Japanese female artist Sachiko Kodama was born in 1970. As a child she spent a lot of time in the southernmost part of Japan. This area is rich in tropical flowers and plants, edged by the sea, and washed with warm rain. Sachiko loved art and
  • The Interactive Life of Plants
    Frauenfelder, Mark. The Interactive Life of Plants Wired Magazine (July 1994).
  • Interactive Structural and Geometrical Modeling of Plants
    Lintermann, Bernd and Oliver Deussen. Interactive Structural and Geometrical Modeling of Plants IEEE Computer Graphics and Applications 19, no. 1 (Jan/Feb 1999): 2-11.
  • Animals Are Dumb and Plants Even Dumber
    Bismarck, Julius von. Animals Are Dumb and Plants Even Dumber. Bielefeld: Kerber, 2016.
  • Featured Artist Marta de Menezes
    .. an artist, writer and curator, who has worked in the field of Bio Art since the late Nineties ..
  • VR Aquarium - video
    VR AQUARIUM offered immersion in VR at the digital cavern of the NTAV Lab, installed at the Museum of Natural Sciences of the University of Caxias do Sul. The environment aesthetical appeal was the augmented reality and telepresence which enhanced
  • fernfühler
    Fernfühler beleben den öffentlichen Raum und bringen Gestalt und Gestaltung in das Bewusstein der Öffentlichkeit. Fernfühler können auch spielen, da sie mit anderen Fernfühlern verbunden sind und diese (bzw. die Menschen, die auf ihnen sitzen) in
  • Ken E. Rinaldo
    Ken Rinaldo is internationally recognized for interactive art installations developing hybrid ecologies with animals, algorithms, plants, and bacterial cultures. His art/science practice serves as a platform for hacking complex social, biological,
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