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Timo Kahlen: in medias res
2020
-
2020
In Timo Kahlen's interactive film and sound projections, 21 works of net art (2005 - 2020), complex and subtle compositions of text, image, sound and vibration are generated - always different and live - according to the varying position, direction
Timo Kahlen: carpe diem, 2011 interactive net art
2011
-
2011
In Timo Kahlen's interactive film and sound projections, 21 works of net art (2005 - 2020), complex and subtle compositions of text, image, sound and vibration are generated - always different and live - according to the varying position, direction
Timo Kahlen: UR, 2006
2006
-
2006
In Timo Kahlen's interactive film and sound projections, 21 works of net art (2005 - 2020), complex and subtle compositions of text, image, sound and vibration are generated - always different and live - according to the varying position, direction
Ian Andrews & Timo Kahlen: Sound Drift
2005
-
2005
In Timo Kahlen's interactive film and sound projections, 21 works of net art (2005 - 2020), complex and subtle compositions of text, image, sound and vibration are generated - always different and live - according to the varying position, direction
FILE 04, 2004, Festival Internacional de linguagem electrônica
2004
... Internacional de linguagem electrônica.
São
Paulo: Sesi Gallery, 2004.
FILE - Electronic Language International Festival
2000
FILE 04, 2004, Festival Internacional de linguagem electrônica
2004
... Internacional de linguagem electrônica.
São
Paulo: Sesi Gallery, 2004.
Spitzer Goes to the Olympics
2010
PHYS ORG. Spitzer Goes to the Olympics file:///C:/Users/alqui/Downloads/2010-02-spitzer-olympics.pdf.
FILE (Electronic Language International Festival) / "In the digital Tracking" - Sao-Paulo (Brazil)
2014
Event: FILE (Electronic Language International Festival) / "In the digital Tracking" - Sao-Paulo (Brazil)Institution: The Wrong BiennaleComment:
Virtual Book
2005
-
2005
Virtual Book : Augmentation of a real book boosted by semantic text analysis. The Virtual Book (2006) The concept of the book as an interactive knowledge structure was inspired by Marvin Minsky's vision from the early 1990s. He said, "Can you
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