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  • Cosmopolis
    Giant interactive installation, VR telescopes, pan Overwriting the city An interactive artistic and scientific multimedia exhibition on the major issues linked to the world urbanisation Cosmopolis endeavours to examine urban realities
  • The Traditions of Changes
    This collaborative composition consists of 6 movements, leading the listener through a utopian sonic maelstrom in a modern re- interpretation of some sections of ‘New Atlantis’ (Francis Bacon, 1624- 27). Psychedelica, field recordings and abstract
  • Francesco Aprile
    Francesco Aprile (Lecce, Italy) is freelance journalist, poet and visual-poet, essayist. In 2010 he became member of the literary movement called New Page-Narrativa in store, that has founded in 2009 by Francesco Saverio Dòdaro and for which he
  • [ in time time ] -
    [in-time-time] ? Date made: 2008 Materials: interactive new media installation, responsive screen-based work, video and digital prints. Other information: Solo exhibition held at the Tarble Arts Center / Eastern Illinois University, Charleston, USA
  • Skull v02
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1994 The original version of this image, Skull v1 was first
  • Naturalia et artificialia -
    ECCENTRIC Art & Research is pleased to present its first exhibition in Milan, opening on October 12, 2016. The exhibition features the work of all its represented artists up-to-date: Ivana Adaime Makac, Jamie Allen, Tomislav Brajnović, Sarah Ciracì,
  • Appearences can be deceiving. The portal of weight and embodied meaning portrayal in product design
    Francien Verdenius and Jorge Maya and Geke Ludden and Pieter Desmet and Andrés Burbano and Vanessa Okken and Juan Salamanca and Ad Pruyn. Appearences can be deceiving. The portal of weight and embodied meaning portrayal in product design.
  • Mirror -
    A dark room with a large vibrating mirror deforms the reflection of the visitor. (The installation is to be visited individually.) At first the vibrations are so subtle that you might wonder if it are your own eyes that are having trouble to focus.
  • How to Use your Eyes
    Elkins, James. How to Use your Eyes. Colchester, UK: Taylor and Francis, 2008.
  • Software Archaeology and the Preservation of Code-based Digital Art
    Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.
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