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Centre for Contemporary Arts, Estonia
Patrícia Gouveia
Patrícia Gouveia is an artist, designer, scholar, and curator with more than twenty years of research experience in arts, design, gaming, and interaction. She has been working in Interactive Arts and Design since the 1990s. Her research focuses on
Arte en la Era Electrónica. Perspectivas de una Nueva Estética
1997
Giannetti, Claudia and Peter Weibel and Lynn Hershman and Siegfried Zielinski, ed. Arte en la Era Electrónica. Perspectivas de una Nueva Estética. Barcelona, Spain: ACC ' Angelot / Goethe-Institut, 1997.
Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.
2005
GARCIA, Iliana Hernández and Edmond Couchot and Simone Michelin and et al., ed. Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.. Bogotá: Editorial pontifícia Universidad Javeriana, 2005.
Pathway A
2000
Pathway Series. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with 2 gold leaf elements. In this work the "all-over" distributions are linear random walks with numerous iterations. The text-like inscription is an
Pathway B
2000
Pathway Series. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with 2 gold leaf elements. In this work the "all-over" distributions are linear random walks with numerous iterations. The text-like inscription is an
Pathway 1
1988
Pathway Series. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with 2 gold leaf elements. In this work the "all-over" distributions are linear random walks with numerous iterations. The text-like inscription is an
Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.
2005
GARCIA, Iliana Hernández and Edmond Couchot and Simone Michelin and et al., ed. Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.. Bogotá: Editorial Pontifícia Universidad Javeriana, 2005.
Driessens & Verstappen
The Amsterdam based artist couple Erwin Driessens (1963 Wessem) and Maria Verstappen (1964 Someren) have worked together since 1990. After their study at the Maastricht Academy of Fine Arts and the Rijksacademy Amsterdam, they jointly developed a
Delvaux's Dream
1998
-
1999
Paul Delvaux's paintings belong to a completely different art world to Lissitzky's Prouns : in the early twenties, when the Russian artist was exploring suprematist aesthetics, the Belgian painter was executing figurative landscapes. The
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