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  • Strauss, Wolfgang and Monika Fleischmann and . Knowledge Spaces: Cultural Education in the Media Age In E-Education Applications: Human Factors and Innovative Approaches., edited by Claude Ghaoui, 291 – 307. : Hershey: Idea Group Publishing,,
  • Fleischmann, Monika and et al and Wolfgang Strauss. Knowledge Spaces: Cultural Education in the Media Age In E-Education Applications: Human Factors and Innovative Approaches., edited by Claude Ghaoui, 291 – 307. : Hershey: Idea Group Publishing,,
  • Inspired by forms of animism, herbalism, panpsychism, and the care of sustenance networks, Badani’s 3D animations explore the intersectionality of the climate crisis and the COVID-19 pandemic. In 2019, a bio-based symbiotic interaction unfolded in
  • I Have a Wish -
    Have you ever had a wish filled with anticipation, hoping it would come true? Or have you ever looked forward to the future, eager to see those beautiful moments? “I Have a Wish" was born out of these thoughts. When you think of something, all that
  • A city map is just a replica of the map of the roots of its trees. This new project centers on the relationship between trees and cities, their resemblance and potential for mutual cooperation. As a continuation of the EDEN project; which put
  • Birth of Eve Clone P -
    The Birth of Eve Clone P is a large-scale projection installation of three Eve Clone images. It shows Eve Clone being placed in a test tube. There, she is slowly cultivated, changing from a draft to a digital wireframe and finally a metallic
  • Nastplas is an international Artists duo based in Madrid, Spain, formed in 2006 by illustrator Fran R. Learte 'drFranken' and creative director Natalia Molinos 'Na' (together 'Equipo Nastplas'). Our work combines an impressive range of digital
  • Mexican digital artist, PhD in Art and Culture, Master of Arts for Architecture, Art and Design Division of the University of Guanajuato. His work is constituted in the manipulation of digital media and its relationship with the human body,
  • Can algorithms ensure greater neutrality and efficiency? Are they as free from human bias as we usually think? The exhibition ‘Codes and algorithms. Wisdom in a calculated world’ seeks to make sense of this phenomenon and it’s implications. n recent