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  • On Software as Art
    Broeckmann, Andreas. On Software as Art Sarai Reader Shaping Technologies (2003): 215-218.
  • Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign
    krcf. Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.
  • Simon Biggs
    Born in Adelaide, Australia in 1957, new media artist Simon Biggs emerged as one of a small number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such
  • Naturalia et artificialia -
    ECCENTRIC Art & Research is pleased to present its first exhibition in Milan, opening on October 12, 2016. The exhibition features the work of all its represented artists up-to-date: Ivana Adaime Makac, Jamie Allen, Tomislav Brajnović, Sarah Ciracì,
  • Susan Collins
    Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery
  • Digital Synesthesia at ISEA 2016 22nd International Symposium on Electronic Art -
    In the frame of ISEA 2016 in Hong Kong the DIGITAL SYNESTHESIA exhibition presents 14 artworks by DIGITAL SYNESTHESIA artists Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch / Marie-Claude Poulin), Alan Kwan, Karen Lancel / Hermen
  • A wrong city -
    Event: A wrong cityInstitution: Saraï-MedialabComment:
  • Mulheres em Luta (Women in Struggle) -
    the exhibition, curated by Anda Rottenberg and Alberto Saraiva, present the vision of women artists from Brazil and Poland on feminism and the position of women in art history.
  • Poesia Visual
    Alberto Saraiva. Poesia Visual. f10 th ed.Rio de Janeiro: Oi Futuro e Editora, 2003.
  • Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes
    Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.
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