Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
83
84
85
86
(current)
87
(more)
121
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Time and Time again
1999
-
1999
... or away from the screen, participants
contro
l the perspective of technology presented...
Delvaux's Dream
1998
-
1999
... blue-box technology. Other than in a
contro
l monitor, they do not see themselves in the...
Sakrileg
1990
-
1991
... or anticlockwise by a powerful motor, the
contro
l unit tries to keep the ball up and prevent...
interskin
1994
-
1994
... used a visual interface to influence and
contro
l the remote environment, the functionality...
Haptic Opposition
2007
-
2009
... driven both by human beings and machine
contro
l. Different modes of force feedback... Haptic Opposition is
center
ed around a mechanically movable text display driven both by human beings...
Variations 504
... that engages viewers by allowing them to
contro
l the music they hear by interacting with...
PainStation
2001
-
2001
... game. Players use their right hands to
contro
l a bat on screen, and must keep their left...
Lapse Modulation (Aural Limbo Series 2004)
... "attached" to the experiencer who takes
contro
l of the playback head, revealing a...
cyberSM
1993
-
1993
... over a custom built speaker phone, and
contro
l each other`s suits through interactions...
Augmented Fish Reality
2004
-
2004
video
... food. Still, these are robots under fish
contro
l and the fish may choose to approach and/or...
1
…
(more)
83
84
85
86
(current)
87
(more)
121