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  • VideoFest '96
    Technological advances were growing at an exponential rate, and electronic art had started to invariably succumb to the digital. To deal with these developments, the VideoFest had restructured itself: video, television and multimedia were now given...
  • VideoFest '95
    1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.
  • VideoFest '94
    VideoFest in its seventh year, the year of that infamous „itch“ – which wasn’t the case luckily. The interconnections between video and television had become ever more important. The programme showed uncommon television productions and takes that,...
  • VideoFest '93
    VideoFest `93 had more to offer than ever before. On the one hand we offered a core programme of the usual high quality. On the other hand we can now boast greater space for all activities – the programme, installations, market, conferences, special...
  • VideoFest '92
    Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer...
  • VideoFest '91
    1991 – the character of the programme has become more angular than before; there are more works that irritate in form and content, more documentaries that ry to find an innovative formal language for exciting topics, surprisingly more works that use...
  • VideoFest '90
    Within a short time the VideoFest has become one of the most important international video festivals. The programme consisted of works covering the field of videoart and documentation; the intention was to point out video-specific realisations of...
  • VideoFest '89
    In only its second year, VideoFest has become the largest european video festival. Video is a young artform; from the beginning, it has been a reaction to the “brave new world” of the highly technical mass societies with all their computers, nuclear...
  • VideoDvorišče 2: Onkraj vidnega/Beyond visible -
    Event: VideoDvorišče 2: Onkraj vidnega/Beyond visibleInstitution: SCCA-Diva, Galerija ŠkucComment:
  • Videoculturas, y ciber-culturas: profanando la pantalla, nuestra mente y nuestros cuerpos
    Cilleruelo, Lourdes. Videoculturas, y ciber-culturas: profanando la pantalla, nuestra mente y nuestros cuerpos In Lo Tecnológico en el arte: de la cultura vídeo a la cultura ciborg, edited by ., 29. Barcelona: Editorial Virus, 1997.
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