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The Cybernetic Stance: My Process and Purpose
1968
Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.
Einige Mathematische Elemente der Kunst
1968
Bense, Max and Elisabeth Walther, ed. Einige Mathematische Elemente der Kunst. Band 37, Stuttgart: Edition Rot, text 37, 1968.
Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of this Century
1968
Lane, Allan, ed. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of this Century. London: Penguin Press, 1968.
Computer Animated Movies
1968
Knowlton, Kenneth C.. Computer Animated Movies In Cybernetic Serendipity: The Computer and the Arts, edited by Jasia Reichhardt, 62. London: Studio International Special Issue, 1968.
Computer Art: A Bibliography
1968
Mezei, Leslie. Computer Art: A Bibliography In Computer Studies in the Humanities and Verbal Behaviour, Vol.1. , 48 - 50. Den Hague: 1968.
Kunst und Kybernetik. Ein Bericht über drei Kunsterziehertagungen Recklinghausen 1965, 1966 und 1967
1968
Ronge, Hans. Kunst und Kybernetik. Ein Bericht über drei Kunsterziehertagungen Recklinghausen 1965, 1966 und 1967. Köln: DuMont Schauberg, 1968.
Machines Like Men
1968
Sutherland, N. S.. Machines Like Men Science Journal 4 (October 1968): 44-48.
Air Light Sound Sight Event
1968
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1968
Event: Air Light Sound Sight EventInstitution: Theatre Royal StratfordComment:
Disillusion of Striptease Films
1968
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1968
Event: Disillusion of Striptease FilmsInstitution: Palais de SportsComment:
Hummingbird
1968
video
Collection: Museum of Modern Art, New York. Csuri continued with this experimentation on other drawings, including one of a hummingbird in flight. Csuri produced over 14,000 frames, which exploded the bird, scattered it about, and reconstructed it.
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