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Void (Traffic)
2003
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2003
Void transforms the internet traffic through KHM' homepage into sounds and images. The installation provides a spectacular experience of data traffic: a direct, real-time visualisation of the code being executed on the transmediale server. The
Vom Medium zum Bild
1999
Boehm, Gottfried. Vom Medium zum Bild In Bild - Medium - Kunst, edited by Yvonne Spielmann and Gundolf Winter, 165-178. München: Wilhelm Fink Verlag, 1999.
Vom Symbol zum Logo: Zeichen des Realen
1987
Weibel, Peter and Oswald Oberhuber. Vom Symbol zum Logo: Zeichen des Realen In Im Bauch des Biestes: Logokultur, Arbeiten des WS 1986/87 der Meisterklassen für Gestaltungslehre and der Hochschule für Angewandte Kunst Wien, edited by Wien Hochschule
Von der Medienkunst zur Wissenskunst.Zur Ausstellung „Wissenskünste aus der eCulture Factory“
2005
Dinmla, Söke. Von der Medienkunst zur Wissenskunst. Zur Ausstellung „Wissenskünste aus der eCulture Factory“ [].
Von der Medienkunst zur Wissenskunst.Zur Ausstellung „Wissenskünste aus der eCulture Factory“
2005
Dinkla, Söke. Von der Medienkunst zur Wissenskunst. Zur Ausstellung „Wissenskünste aus der eCulture Factory“ [].
Vor dem Schein kommt das Erscheinen: Bemerkungen zu einer Ästhetik der Medien
1996
Seel, Martin. Vor dem Schein kommt das Erscheinen: Bemerkungen zu einer Ästhetik der Medien In Ethisch-Ästhetische Studien, , 104-125. Frankfurt/Main: Suhrkamp Taschenbuch, 1996.
Vorläufiger Versuch über die Upokrinomenologie
1991
Bec, Louis. Vorläufiger Versuch über die Upokrinomenologie In Digitaler Schein: Ästhetik der elektronischen Medien, edited by Florian Rötzer and Peter WeibelBerlin: Edition Suhrkamp, 1991.
Voyage
1987
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1987
It takes at least ten years for an idea to go from first appearance in the laboratoy through translation into the consumer world. Voyage is an image signifying the acceleration of this ten year gestation. It is the symbolic description of the
Voz Alta
2008
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2008
"Voz Alta" (Loud Voice) is a memorial commissioned for the 40th anniversary of the student massacre in Tlatelolco, which took place on October 2nd 1968. In the piece, participants speak freely into a megaphone placed on the "Plaza de las Tres
VR Aquarium
2004
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2005
video
VR AQUARIUM offered immersion in VR at the digital cavern of the NTAV Lab, installed at the Museum of Natural Sciences of the University of Caxias do Sul. The environment aesthetical appeal was the augmented reality and telepresence which enhanced
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