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Strange Attractors: A History of Video Production and Presentation in Ottawa
2000
Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.
GET
smA
RT: exhibition and auction
2010
-
2010
Event: GET
smA
RT: exhibition and auctionInstitution: John Curtin GalleryComment:
Suba
sta
de Grandes MaestrosPINTURA | OBRA GRÁFICA | ESCULTURA (September)
2020
-
2020
Sold at Auction
Preview exhibit, PIN. benefit auction for the Pinakothek der Moderne and Museum
2019
-
2019
Event: Preview exhibit, PIN. benefit auction for the Pinakothek der Moderne and MuseumInstitution: Pinakothek der ModerneComment:
Lago Film Fest - New Sign
s A
ward (Audience Award)
2020
Event: Lago Film Fest - New Sign
s A
ward (Audience Award)Institution: Lago Film FestComment:
AUDIO 37:00 Monika Fleischmann, Wolfgang Strauss: Wissensnetze, Medienkunst und Wissen(schaft)svermittlung. wissensnetze-medienkunst-und-wissenschaftsvermittlung
2011
audio
Wissensnetze, Medienkunst und Wissen(schaft)svermittlung
2011
https://zkm.de/de/media/audio/monika-fleischmann-wolfgang-strauss-wissensnetze-medienkunst-und-wissenschaftsvermittlung
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
2008
Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
European Media Art Festival 2000:Now/Future
2000
-
2000
This year, EMAF’s congress – under the motto "European Digital Visions" – focused on the cultural self-image of our mediatised society including the i2tv live Demonstrator session with six on-line participants, on-site audience and the on-site
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
2007
Salter, Chri
s a
nd Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by
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