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  • Which one is true? -
    ... faces, their composited faces, and the faces of other participants are then projected and displayed inside the exhibition space at random. As the real faces continue to alternate with the fabricated faces and as the artwork continues to document throughout...
  • ... architecture and the concepts of The Digital Ground as expressed by McCullough [4], who asks for a new discussion on public space in light of the continuous integration of smart and interactive technologies. As an interactive art work, Shanghai Express aims...
  • ... His work exploits sound's physical property, its causality with human perception and mathematical dianoia as music, time and space. Using computer and digital technology to the utmost limit, Ikeda has been developing particular "microscopic" methods for...
  • Cadence (2022) by Kayla Parker is an animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain.
  • ... orchestra. With his ""tele actions,"" made public by the Austrian television (ORF)in 1972, exceeds the limits of the gallery space and examines the video technology in their application in the mass medium of television. As a theorist and curator, he is...
  • Elusive Self -
    ... in this installation by an edited video sequence. // Installation description: The room is darkened. On the floor of the space lies a gigantic open "book", about 1,50 x 2,50 m, sculpted in white salt and placed on a podium 0.50 m. high. The book serves...
  • ambientROOM -
    ... bits using ambient display media such as ambient light, shadow, sound, airflow, water movement in an augmented architectural space. The ambientROOM also provides physical handles such as bottles and a clock to control ambient display of bits. The ambientROOM...
  • ... in the architectural environment of the venue, where the visitors themselves stand. Suspended from metal poles, set in the space of the installation, are twenty-four large digital images, displaying enigmatic scenes of interplay between these numerous...
  • Tryalogue
    ... equation the law which is qualitatively analogous to the gravity law. The balls are attracted and repulsed depending on the space between them and their mass. They are moving not as point masses ready to turn in any moment, but as vectored points. This is a...
  • ... the artwork runs at a reduced frame rate of 12 frames per minute. The inspiration for this is ambient music, the beauty space can give to sound, and how that concept can be applied abstractly to animation.