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Das Kapital: Version.07 - 2003
2003
-
2017
video
Machinery on the memory line of the configuration file... The 3 levels of images: Foreground-Matte-Background (Front-Back-Matte) The 3 levels of commodities: Sensitive-No-Sensitive-Suprasensitive. Oculus Oracle The labourer is distinguishable only
Trauer (Grief)
2003
-
2003
Event: Trauer (Grief)Institution: Augarten ContemporaryComment:
Augarten Contemporary
2012
Potential Spaces. Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden?
2017
-
2017
Potential Spaces Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? Do, 16.02.2017 – Sa, 18.02.2017, Staatliche Hochschule für Gestaltung Karlsruhe (HfG); Großes Studio, ZKM_Kubus Beschreibung Die Konferenz »Potential
Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation
2001
Depocas, Alain. Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation In Ars Electronica 2001: Takeover : Who's doing the Art of Tomorrow =
Ich / Auge / Welt - The Art of Vision
1997
Schilling, Alfons. Ich / Auge / Welt - The Art of Vision. Wien, New York: Springer Verlag, 1997.
Das allusive Auge. Illusion, Anti-Illusion, Allusion
2003
Weibel, Peter. Das allusive Auge. Illusion, Anti-Illusion, Allusion In Fast Forward, edited by Ingvild Goetz, 10-12. Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Das forschende Auge: Kunstbetrachtung und Naturwahrnehmung
1994
Gombrich, Ernst Hans. Das forschende Auge: Kunstbetrachtung und Naturwahrnehmung. Edition Pandora th ed.Frankfurt/Main: Campus Verlag, 1994.
On Translation: Petit et Grand. Muntadas
2008
Augé, Marc and José Jiménez and Mary Anne Staniszewski. On Translation: Petit et Grand. Muntadas. París, France: Instituto Cervantes, 2008.
Non-Places: An Introduction to Anthropology of Supermodernity
1992
Augè, Mark. Non-Places: An Introduction to Anthropology of Supermodernity. London/New York: Verso, 1992.
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