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  • Penny, Simon. Prefiguring Cyberculture, an intellectual history In Traces, edited by Darren Tofts and Annemarie Jonson and Alessio CavallaroCambridge, MA: MIT Press, 2004.
  • Davies, Char. Espaces Entrelacés: Virtual Reality as Poeisis In Prefiguring Cyberculture: An Intellectual History, edited by Darren Tofts and Annemarie Jonson and Alessio Cavallaro, 192-193. Cambridge, MA: The MIT Press, 2002.
  • Leif Brush was an emeritus art professor at the Department of Art & Design, University of Minnesota, Duluth, Minnesota, born 28 March 1932, Bridgeport, Illinois, U.S.A. He received an MFA from the School of the Art Institute of Chicago:
  • Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada. Electronic artist, develops interactive installations that are at the intersection of
  • Grau, Oliver. Verlust des Zeugen: Das lebendige Werk In Metamorphosen: Zur Veränderung der Gedächtnismedien im Computerzeitalter, edited by Götz-Lothar Darsow, 101-121. Stuttgart, Bad Cannstatt: Fromann-Holzboog, 2000.
  • Mitchell, W. J.. Repräsentation In Was heisst "Darstellen"?, edited by Christiaan L. Nibbrig-HartFrankfurt/Main: Suhrkamp, 1994.
  • Gombrich, Ernst Hans. Kunst und lllusion: Zur Psychologie der bildlichen Darstellung. Berlin: Phaidon Verlag, 2002.
  • SWARM
    carpenters workshop gallery is proud to present a solo show by random international. following the success of random international's inclusion in Decode Digital Design Sensations at the Victoria & Albert Museum, this much anticipated show presents
  • Munster, Anna. Materializing New Media: Embodiment in Information Aesthetics. Hanover, NH/London: Dartmouth College Press, 2006.
  • Maes, Pattie and Trevor Darrell and Bruce et. al. Blumberg. The ALIVE System: Wireles, Full Body Interaction with Autonomous Agents Multimedia Systems - Special Issue on Multimedia and Multisensory Virtual Worlds 5, no. 2 (March 1995): 105-112.