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Impulse Computerkunst. Graphik, Plastik, Musik, Film: Kunstverein München, 8.5. bis 7.6. 1970 1970

Kunstverein München. Impulse Computerkunst. Graphik, Plastik, Musik, Film: Kunstverein München, 8.5. bis 7.6. 1970. München: Kunstverein München, 1970.
neue tendenzen I - ein überraschender Zufall 1970

Mavignier, Almir. neue tendenzen I - ein überraschender Zufall In tendencje 4, edited by Boris Kelemen and Radoslav PutarZagreb: 1970.
Trans-media Art. On the Art of Ryszard Wasko 1997

Kluszczynski, Ryszard W.. Trans-media Art. On the Art of Ryszard Wasko In Ryszard Wa ś ko. Retrospective 1970-1990 (photography, film, video), edited by Ryszard W. KluszczynskiLodz: Galeria FF, 1997.
The Mechanical Imagination - Creativity of Machines. Workshop of The Film Form (1970–1977) 2000

Kluszczynski, Ryszard. The Mechanical Imagination - Creativity of Machines. Workshop of The Film Form (1970–1977) In Warsztat Formy Filmowej/Workshop of the Film Form 1970–1977, Warszawa: Centrum sztuki wspólczesnej zamek ujazdowski, 2000.
Pioniere Interaktiver Kunst von 1970 bis heute: Myron Krueger, Jeffrey Shaw, David Rokeby, Lynn Hershman, Grahame Weinbren, Ken Feingold 1997

Dinkla, Söke. Pioniere Interaktiver Kunst von 1970 bis heute: Myron Krueger, Jeffrey Shaw, David Rokeby, Lynn Hershman, Grahame Weinbren, Ken Feingold. Edition ZKM Karlsruhe, Ostfildern-Ruit: Hatje Cantz, 1997.
Dennis del Favero: Deep Sleep 2004 - 2005

Deep Sleep moves backwards and forwards in time between a notorious Sydney psychiatric institution of the 1970's where patients were subjected to "deep sleep" therapy, and the Chelmsford Royal Commission, established in the 1990's to
Brighton Festival 1970 1970 - 1970

Event: Brighton Festival 1970Institution: Brighton FestivalComment:
The Workshop of Film Form (1970-1977) 2000

Event: The Workshop of Film Form (1970-1977)Institution: Center for Contemporary Art Ujazdowski CastleComment:
Copyart: Experimental Printmaking 1970-1990 2017 - 2017

Hoehn Family Galleries
On the Road 2013

“On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s

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