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Power and Water 1992

The installation included a custom-designed robotic painting machine, large hand-painted images, and several images painted with the robot. All images were from events surrounding the building of the Los Angeles Aqueduct between 1906-13.
Surtropías 2022 - 2022

Event: SurtropíasInstitution: Festival de la ImagenComment:
Virtual Borders and Surveillance in the Digital Age 2007

Burns, David R.. Virtual Borders and Surveillance in the Digital Age International Journal of Media and Cultural Politics 3, no. 3 (2007): 325-341.
Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre 2017

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).
Art, Surveillance and Metadata 2016

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.
CTRL_Space. Rhetorics of Surveillance 2001 - 2003

Event: CTRL_Space. Rhetorics of SurveillanceInstitution: ZKMComment:
International Conference On Live Interfaces 2016 - 2016

Ellen Pearlman, “Is There A Place In Human Consciousness Where Surveillance Cannot Go?”
Surveiller et punir. Naissance de la prison 1975

Foucault, Michel. Surveiller et punir. Naissance de la prison. Bibliothèque des histories Collection Tel Band 225, Paris: Gallimard, 1975.
Janet Cardiff 2001 - 2002

A Survey of Works Including Collaborations with George Bures Miller
American Dream: A Survey 2003 - 2003

Event: American Dream: A SurveyInstitution: Ronald Feldman Fine Arts GalleryComment:

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