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A Partition-Based Heuristic for the Steiner Tree Problem in Large Graphs 2014

Leitner, Markus and Ivana Ljubić and Martin Luipersbeck and Max Resch. A Partition-Based Heuristic for the Steiner Tree Problem in Large Graphs (2014): 56-70.
Probleme der Neo-Moderne 1992

Weibel, Peter. Probleme der Neo-Moderne In Identität: Differenz. Tribüne Trigon 1940-1990. Eine Topographie der Moderne, edited by Peter Weibel and Christa Steinle, 3-29. Wien: Böhlau Verlag, 1992.
Realizing a Digital Media Installations: Problems and Synergetic Effects of an Interdisciplinary Collaboration 2001

Legrady, George and Brigitte Steinheider. Realizing a Digital Media Installations: Problems and Synergetic Effects of an Interdisciplinary Collaboration In Proceedings of MTAC 2001, Multimedia Technology and Applications, UC Irvine, , 255-260.
Aspects of the Aesthetics of Telecommunications 1993

Kac, Eduardo. Aspects of the Aesthetics of Telecommunications In Zero -- The Art of Being Everywhere, edited by Gerfried StockerGraz, Austria: Steirische Kulturinitiative Graz, 1993.
Aspekte einer Ästhetik der Telekommunikation 1993

Kac, Eduardo. Aspekte einer Ästhetik der Telekommunikation In Zero - The Art of Being Everywhere, edited by Gerfried StockerGraz, Austria: Steirische Kulturinitiative Graz, 1993.
... Krise ist immer... 2004

Event: ... Krise ist immer...Institution: steirischer herbstComment:
Steirischer Herbst festival 1992 - 1992

Event: Steirischer Herbst festivalInstitution: Studio GalerieComment:
Erzeugte Realitäten II: Stelarc, Orlan, Luis Bec. Der Körper und der Computer 1994

NGBK, ed. Erzeugte Realitäten II: Stelarc, Orlan, Luis Bec. Der Körper und der Computer. Berlin: Neue Gesellschaft für Bildende Kunst, 1994.
Stelarc: The Obsolete Body (Interview with Yiannis Melanitis, in Greek) 2001

Tzafestas, Elpida and Yiannis Melanitis. Stelarc: The Obsolete Body (Interview with Yiannis Melanitis, in Greek) Futura magazine 7 (March 2001).
Orlan, Stelarc and the Art of the Virtual Body 2005

Kluszczyński, Ryszard W.. Orlan, Stelarc and the Art of the Virtual Body Art Inquiry VII (2005): 85-94.

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