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As If 1999

Davies, Char. As If Forbes ASAP Big Issue IV: The Great Convergence (Octobre 1999): 161.
Tate Modern 1992
An Ascent 2020

https://www.factmag.com/2020/07/22/scanner-an-ascent/?fbclid=IwAR2l9JYNGH4BXvhP9kZ0x4BalVSltSDZwWtHTCW_VcZCF5zsC7Z_hQY1zaM
Digital98 1998 - 1998

ASCI is pleased to give these digital works a venue both online as a permanent online exhibition, and displayed in the Technology Gallery at the New York Hall of Science and then in the Brooks Design Center Gallery at Cooper Union in Manhattan.
ASCI (Art & Science Collaboration, Inc.) 1988
The Museum of the Third Kind 1996

Ascott, Roy. The Museum of the Third Kind InterCommunication 15 (1996): 74-79.
Art, Technology Consciousness: Mind@Large 2000

Ascott, Roy. Art, Technology Consciousness: Mind@Large. Bristol, UK: Intellect Books, 2000.
The Telematic Moment 1987

Ascott, Roy. The Telematic Moment L´Estetica della Comunicazione (1987): 81-84.
Techne as poiesis: Seeking Virtual Ground 1997

Davies, Char. Techne as poiesis: Seeking Virtual Ground edited by Roy Ascott, 28. : University of Wales, Newport, 1997.
Das digitale Museum / The Digital Museum 1996

Ascott, Roy. Das digitale Museum / The Digital Museum In Perspektiven der Medienkunst / Media Art Perspectives, edited by H. Schwartz, 76-83, 183-189. Karlsruhe, Deutschland: Cantz Verlag, 1996.

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