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  • Martin Rieser, was visiting Professor Pervasive Media Studio Bristol and Professor of Digital Creativity, at the Institute of Creative Technologies, in De Montfort University, Leicester. In 1990 he began experimenting with permanent digital ceramic
  • Ascott, Roy. Behaviour at Table In Architectural Projects and Drawings from the Studio of Aslop, Barnett and Lyall, edited by Will Aslop and Cliff Barnett and John LyallLondon: Architectural Association, 1984.
  • Brugger, Ralf. 3D-Computergrafik und -animation. Mit einer Beschreibung von Autodesk 3D Studio. Bonn, München, Paris: Addison-Wesely, 1993.
  • Kusahara, Machiko. Computer Art Studio Voice (March 1994).
  • Plancton Art Studio. Relazioni Emergenti: Experiments with Art of Emergence Leonardo 35, no. 2 (April 2002): 147-152.
  • Chatonsky, Gregory. Translation, du récit numérique Journal de Fresnoy, Studio National d´ Arts Contemporains (2004).
  • Ascott, Roy. The Psi-bernetic Arch Studio International April (1970): 181-182.
  • Benthall, Jonathan. Technology and Art 15: Computer Graphics at Brunel Studio International 197, no. 923 (1970): 247-248.
  • Pierce, John R.. A Chance for Art In Cybernetics, Art and Ideas, edited by Jasia Reichhardt, 46 - 56. London: Studio Vista, 1971.
  • Reichardt, Jasia, ed. Cybernetics, Art and Ideas. London: Studio Vista, 1971.