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  • Timetable
    ... onto the central part of the table, is controlled and influenced by the movements of the dials. At the outset, the space of Timetable seems to be rational and unified, but the longer the piece is used, the more complex and multi-dimensional it...
  • ... culture. Recent collaborations with Fania Raczinski included a critique of computational creativity, an online work “Personal Space” that matches diary entries to solar weather, and a detailed webApp for magic square displays. I've delivered various...
  • Soul Of The City -
    ... "soul", is represented by live data feeds from my wireless sensor networks. This visualisation is showing the stressed city space. The changing parameters are what changes in the city; ie the temperature, light, noise data and chemical changes. This...
  • ... camera phones would send picture messages from around Paris directly to the live generated ‘music video’ in the exhibition space. The day by day unfolding story would evolve based on the incoming messages. The volume of incoming messages and interconnectedness...
  • ... part of a larger food production processes and labour, ‘This one’s for the farmer’ draws new representations. In contrasting space, time, labour and farming through the creation of a conceptual series, Borda attempts to create a contemporary dialogue about farming...
  • ... "Águas de Março", by Tom Jobim. I cut the sequences and I present them simultaneously. The music fragments in the time and space are shown on the six television sets conducting the participant to several associations of the sequences. On the biggest...
  • Long Wave - video
    ... honouring and at the same time toying with and destabilizing the formal regularity of the soaring, cathedral-like space.
  • Objects of desire -
    ... – contributes on a formal level its share to the transfer of text-based and ephemeral characteristics of net-art into real space. exhibited at: 05/12-07/12 2008 interference, mikrogalleriet, Copenhagen, Denmark 10/16-11/15 2008 YOU OWN ME NOW UNTIL...
  • ... exploring a lonely, abandoned archipelago at the farthest ends of the earth. The virtual world however is a non-cartesian space in which vast universes can be hidden in small, drab buildings: a pavilion transports user s to a piazza filled with jeweled...
  • ... that following the tradition of artistic interventions at the Venice Biennial, presents augment reality works that float on space and invade the airwaves without seeking permissions or excuses for their ‘artistic behavior.’...