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Julius von Bismarck
The medium of light transversing a space is the very property that makes space experiential, and therefore 'real'. Julius then might use optical elements such as mirrors and lenses, to add an-other dimension to these physical spaces. Drawing on
on the nature of things
2009
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2009
video
comprises five video projections which atmospherically depict and re-interpret our habitat. In the exhibition space five projections are set up like a landscape. Each of these projections represents one aspect of the manifestation of nature as
Atmospherics/Weather Works
2007
Event: Atmospherics/Weather WorksInstitution: Beall Center for Art and Technology University of California IrvineComment:
Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
2019
Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: City University Hong KongComment:
Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
2019
Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: Art Machines: International Symposium on Computational Media ArtComment:
The Waiting Room
2002
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2002
"The Waiting Room" is a virtual space that 50 users share through the Internet. The visitors to the space are strangers, united by the software, the Internet, and the artwork itself. In this space the visitor becomes a participant in a moving
ATOM
2007
video
Performance for a matrix of 64 illuminated gas balloons and sound A room is filled with deep, evolving noises from a four-channel sound system. An eight-by-eight array of white, self-illuminated spheres floats in space like the atoms of a complex
Invisible Cantilever
1996
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1996
This project considers the distance between the viewer and what is being viewed. How does technology alter our perceptions of distance, scale, and structure? Technologies for viewing continue to evolve, from the camera obscura to the telescope to
Nano-Scape
2002
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2002
video
This nano-scale sculpture is invisible, just like the Nano-world it comments about. While science and media try to capture images of these tiniest of particles in order to understand their properties, Nano-Scape tries to make this Nano-world
The Invisible
2015
A sculptural homage to the helicopter attack scene from the film Apocalypse Now! Duplicate robots dangle from a metal frame, with arrays of black rods joining each of the eight Fedora hats to these machines. The Squadron is in flight formation and
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