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Arte Cibernetica. Collection of Itaú Cultural
2013
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2013
Event: Arte Cibernetica. Collection of Itaú CulturalInstitution: MEPE: Museu do Estado de Pernambuco Recife BrazilComment:
MEPE: Museu do Estado de Pernambuco Recife Brazil
Gráfica después de la posmodernidad, ¿hacia una gráfica radicante?
2013
Alcalá Mellado, José Ramón. Gráfica después de la posmodernidad, ¿hacia una gráfica radicante? Estampa 11 , no. 5 and 6 (December 2013): 173-177.
Glow Positioning System
2005
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2005
There are many ways to "locate" a city, and oneself within it. One way is to distance oneself from it - to look it up in an atlas, a picture, or to go out to sea or up a hill to watch the twinkling lights, and point out the sights we know. Another
Utopia or Oblivion: The prospects for humanity
1969
Fuller, R. Buckminster. Utopia or Oblivion: The prospects for humanity. Los Angeles: The Estate of Buckminster Fuller, 1969.
Kwangju Biennale 2004
2004
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2004
"The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
European Media Art Festival 2010: Mash Up
2010
The range of images, films, music and texts on the internet is growing rapidly. All digitally available elements can be used as material to make new collages. For this reason, many artists scour the internet’s servers for raw material to integrate
The Fruit Machine
1992
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1992
Event: The Fruit MachineInstitution: Mitsubishi Estate ArtiumComment:
Mitsubishi Estate Artium
1989
Serial Parallels
2019
This experimental animation approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing
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