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Floating Signs
2011
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2011
Light installation in public space, 2011-present Harbour, Bregenz (A), invited competition Departing from ambiguous concept and image worlds related to terms like harbour, arrival, staying (also being allowed or having to stay), 'Floating Signs',
Truth in media art through sensory-motor coordination: Scenography 2:Space and Truth, Zurich University of the Arts
2008
Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich
Truth in media art through sensory-motor coordination: Scenography 2:Space and Truth, Zurich University of the Arts
2008
Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich
eCulture Factory auf der Cebit
2007
eCULTURE FACTORY wird mit zwei Produkten auf dem Bremen-Stand der CeBIT vertreten sein. In Halle 9, B21 werden das Virtuelle Buch und das Interaktive Plakat mit eigens für die CeBit entworfenen Inhalten zu sehen sein.
eCULTURE TRENDS 06: Zukunft entwickeln - Arbeit erfinden
2006
BREMEN 20. OKTOBER ZUKUNFT ENTWICKELN - ARBEIT ERFINDEN Eine Veranstaltung der GI/FhGReihe „Zukunft entwickeln“ TRENDS 06 eC
Kim Asendorf
Kim Asendorf is a conceptual artist and works in a large area of media and digital related art. He loves to transport things from the Internet into real life and back. Kim did several net art projects, often based on data taken from the Internet or
Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst
2006
Beckmann, Otto and Barbara Nierhoff, ed. Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst. Bremen: Kunsthalle Bremen, 2006.
Kunsthalle Bremen
LAB 3: MARS - Media Arts ReSearch
1995
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2012
MARS—the Media Arts Research Studies at GMD (1995–2001) and at Fraunhofer (2001–2012) The MARS - Exploratory Media Lab, initiated and directed by Monika Fleischmann and Wolfgang Strauss since 1997, designed and developed research prototypes,
Displacements
1980
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1984
video
Displacements is an immersive film installation. An archetypal Americana living room was installed in an exhibition space. Then two performers were filmed in the space using a 16mm motion picture camera on a slowly rotating turntable in the room’s
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