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  • Utopia
    Cubitt, Sean. Utopia In The Encyclopedia of Aesthetics, edited by Michael KellyOxford: Oxford University Press, 2014.
  • Poissant, Louise. Projet d´une Encyclopédie des Arts Médiatiques .
  • Be Now Here - video
    Be Now Here is an installation about landscape and public places. Visitors gain a strong sense of place by wearing 3-D glasses and stepping into an immersive virtual environment. The imagery is of public plazas on the UNESCO World Heritage
  • Splice -
    Working on the destruction of almost every elm forest in Southern Europe. The departure point for the project ELM was the history of these trees which have practically disappeared from the european landscape due to this disease. Such scarcity has
  • Kwangju Biennale 2004 -
    "The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
  • CrypoMania -
    The exhibition’s title, Cryptomania, is a composite of the word Crypto, a technological trend that expresses the encryption of private information as a reaction to the digital world that offers no privacy, and the word Mania, which expresses the
  • Matt Mullican is a artist use subjective cosmology strategies to represent the world and the human condition mainly in symbolical related forms . His work often take shape of immersive installations and make use of analog techniques and
  • Naimark, Michael. Be Now Here- Field Reports - UNESCO World Heritage Endangered Cities .
  • Cadence -
    Animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain, an endangered habitat now threatened by coastal erosion
  • The video work stillalive is a commission for the Kunsthaus Graz and the exhibition ‘Faking the Real’. The concept was to produce an artistic edit of a specific three-minute excerpt from John Carpenter’s film ‘They Live’. This approach corresponds