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  • Kim Yunchal, born 1970, studied music and composition at Chugye University for the Arts, continued his studies at the art academy for media in Cologne. He is a musician, perfomer and artist.
  • David Rokeby, born 1960, studied at the Ontario College of Art. He is a pioneer in interactive art and an acknowledged innovator in interactive technologies. The technology Rokeby developed for this work is widely used by composers, choreographers,
  • Naimark, Michael. Field Recording Studies In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeodCambridge, MA: MIT Press, 1996.
  • Age of experience -
    "Age of experience" exhibition at the "Angewandte Innovation Lab" of the University of Applied Arts in Vienna, Austria | Group exhibition of SCM teachers and students, including Tamas Waliczky's "Homes" installation and "Marionettes" animation.
  • Andrés Colubri is a researcher who is developing new methodologies to visualize and model complex biological information. He also looks to new uses of computer graphics as a medium for communication and interaction. Andrés originally studied
  • Alba D'Urbano is an artist from Italy. She studied philosophy and painting in Rome and studied visual communication in Berlin (Hochschule der Künste). Since 1995 she is professor of computer graphics at the “Hochschule für Grafik und Buchkunst” in
  • FÁBIO OLIVEIRA NUNES (or Fabio FON) is a Brazilian multimedia artist, digital designer and higher education professor, working among other areas in the studies of hypermidia, web art, media art and poetics of visual. One of his studies is the Web
  • Freedberg, David. The Power of the Images: Studies in the History and Theory of Response. Chicago, IL: University of Chicago Press, 1991.
  • Mezei, Leslie. Computer Art: A Bibliography In Computer Studies in the Humanities and Verbal Behaviour, Vol.1. , 48 - 50. Den Hague: 1968.
  • Kluszczyński, Ryszard W.. Phenomenological Traits in Polish Film Studies Polish Art Studies IX (1988): 259-273.