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  • Bio-Présence -
    ... with the destiny of Biscarosse's elm trees, which is indeed the...
  • Petit Mal -
    Although much work has been done in the field of screen-based interactive art, the mode of interaction in these works is confined by the very existence of image material on a screen, the so called "graphical user interface". I am particularly
  • Olga Kisseleva
    ... in question, and wherever possible, to propose a solution to the...
  • IAMAS Artist In Residence Exhibition 2004-2005 -
    The Artist in Residence program is one of the programs started at IAMAS since establishment. Each year IAMAS invites outstanding artists from overseas to Japan, and supports their activities while on the program. There have been 16 artists who have
  • utHOPEia
    Hope in fusion with Utopia is here in perspective, looking at St Virgil, which has become part of the every day (esthétique du quotidien). By fragmenting the space and recontextualising elements of the place, utHOPEia is "hoping" to have the
  • AL GRANO: Augmented-Cereals - video
    AL GRANO: Augmented Cereals is an art, science and technology installation in public space. This is an Augmented Reality work in which consumers interact with the work via smartphone in a supermarket breakfast cereal aisle, using an Augmented
  • Jean Louis Boissier
    Jean-Louis Boissier, born 1945, professor at Université Paris 8, director of the laboratory Esthétique de l'interactivité. Director and curator of the Biennale Artifices since 1990.
  • L´image lumineuse et la scène
    Boucher, Marc. L´image lumineuse et la scène In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 245-272. Québec: Presses de l'Université du Québec, 2003.
  • Mûcsarnok / Kunsthalle Budapest
  • Arte do Corpo Biocibrido em sistemas enativos-afetivos
    Lucia Santaella and E MOTTA and DIANA MARIA G DOMINGUES and C. TURELLY. Arte do Corpo Biocibrido em sistemas enativos-afetivos In Dança sob o signo do Multiplo, edited by Lucia SANTAELLA and Everson MOTTA Vol.1. , 41-65. São Paulo: Estação das
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