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  • L’exposition à la médiathèque George Sand présente le travail vidéo de Maurice Benayoun - La série Quarxs réalisée entre 1990 et 1993 en collaboration avec le dessinateur de bandes dessinées François Schuiten et l'écrivain Benoît Peeters. une des
  • Jürgen Trautwein is a German born interdisciplinary artist working in a variety of forms, including new media and hypertext web-works, performative temporary interferences, installations, land-art, sound art, animation and classical forms such as
  • YouTube: time -
    Time in Internet era is a flux of data, instead hands of a clock or sand in a hourglass, beat time is given by the number of informations that we receive and broadcast. Here’s how the characteristic red bar of YouTube becomes a piece of a “digital
  • Landscape Painting shows painted landscapes—a desert scene with cacti and rocks and a jungle scenario. The artist traveled to two locations in Mexico, where he selected an appropriate segment of land and organized a team of local helpers. He paid
  • "Seismoscope 2: Abu Hamid Muhammad ibn Muhammad al-Ghazali", 2009 Persian (1058-1111), author of "The Incoherence of Philosophers" 16.1" x 17.7" x 6.7" / 41 x 45 x 17 cm, XY Plotter 45.2" x 16.1" x 17.7" / 115 x 41 x 45 cm podium 11" x 17" / 28
  • Sanchez Cardona, LM. Sounds [That] Are Not. Is there any time left? In Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene, edited by Ryszard W. KluszczynskiArt+Science Meetings, Gdańsk: LAZNIA Centre for
  • Sanchez Cardona, LM. Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico In Seven experiences of listening and protest in artistic practices, edited by Ana
  • Sanchez Cardona, LM. Intermittent Space: Sound, Violence, Ambiance and Affective Politics of Fear in Contemporary Mexico Unlikely Journal for Creative Arts , no. Issue 7 (https://unlikely.net.au/issue-06/intermittent-space 2020): online.
  • “The Ten Commandments was renowned for the massive set constructed in California's Guadalupe-Nipomo Dunes -- some pieces stood over 30 metres tall. Worried that rival film studios might use the facsimiles of an ancient palace, massive Pharaoh
  • CRISPR-Cas9 is contrasted with Nude in box-reclining (1962) and Sand Dune Nude (1967) by Ruth Bernhard and Dix Rayogrammes de Man Ray et un Texte de Pierre Bost by Man Ray (1931).