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  • Computer Identity -
    Computer Identity was an interactive digital internet-based artwork that was created by Beatriz Albuquerque in 2003-2005 (http://computeridentity.no.sapo.pt/). It was 1st presented to audiences in 2005 at BaseSpace, Chicago, The School of the
  • The Blessed Abyss - A Tale of Unmanageable Ecstasies -
    Debuted at the Whitney Museum at Phillip Morris, 1992, as part of a series co-curated by Toni Dove with Helen Thorington of New American Radio and Jeanette Vuocolo of the Whitney Phillip Morris Performance series. Entitled "Performing Bodies and
  • SIAF 2020 Sapporo International Art Festival: Of Roots and Clouds (online)
    SIAF2020 Team of Directors, Taro Amano, Agnieszka Kubicka-Dziedszycka, and Kanoko Tamura
  • Two Women -
    "Two Women" consisted of one computer station, two light boxes (58.4 x 60.3 x 20.3 cm), and two boxes (95.25 x 71.1 x 30.5 cm) each with three images revolving in response either to a timing device located in the computer or to user key-press at the
  • Sara Malinarich
    Artist: Sara MalinarichComment:
  • CodeZebra -
    CodeZebraOS is an advanced web based visualization tool and a creative www environment that enables conversations between different individuals and groups on the Internet. Applications include performances, video documentaries; dance performances
  • Psychotisierung der Wahrnehmung, Gespräch mit Sara Rogenhofer, Florian Rötzer
    Weibel, Peter. Psychotisierung der Wahrnehmung, Gespräch mit Sara Rogenhofer, Florian Rötzer Kunstforum 98 (1989): 75.
  • Four Nights in the Funhouse
    Borins, Sara. Four Nights in the Funhouse Saturday Night 116, no. 6 (July 2001): 21-28.
  • Diana Domingues
    Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • Rethinking Curating. Art After New Media
    Graham, Beryl and Sara Cook. Rethinking Curating. Art After New Media. Leonardo Book, Cambridge, MASS: The MIT Press, 2010.
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