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Computer Identity
2003
-
2012
Computer Identity was an interactive digital internet-based artwork that was created by Beatriz Albuquerque in 2003-2005 (http://computeridentity.no.sapo.pt/). It was 1st presented to audiences in 2005 at BaseSpace, Chicago, The School of the
The Blessed Abyss - A Tale of Unmanageable Ecstasies
1992
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1992
Debuted at the Whitney Museum at Phillip Morris, 1992, as part of a series co-curated by Toni Dove with Helen Thorington of New American Radio and Jeanette Vuocolo of the Whitney Phillip Morris Performance series. Entitled "Performing Bodies and
SIAF 2020 Sapporo International Art Festival: Of Roots and Clouds (online)
2020
SIAF2020 Team of Directors, Taro Amano, Agnieszka Kubicka-Dziedszycka, and Kanoko Tamura
Two Women
1991
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1995
"Two Women" consisted of one computer station, two light boxes (58.4 x 60.3 x 20.3 cm), and two boxes (95.25 x 71.1 x 30.5 cm) each with three images revolving in response either to a timing device located in the computer or to user key-press at the
Sara Malinarich
Artist: Sara MalinarichComment:
CodeZebra
2000
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2008
CodeZebraOS is an advanced web based visualization tool and a creative www environment that enables conversations between different individuals and groups on the Internet. Applications include performances, video documentaries; dance performances
Psychotisierung der Wahrnehmung, Gespräch mit Sara Rogenhofer, Florian Rötzer
1989
Weibel, Peter. Psychotisierung der Wahrnehmung, Gespräch mit Sara Rogenhofer, Florian Rötzer Kunstforum 98 (1989): 75.
Four Nights in the Funhouse
2001
Borins, Sara. Four Nights in the Funhouse Saturday Night 116, no. 6 (July 2001): 21-28.
Diana Domingues
Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
Rethinking Curating. Art After New Media
2010
Graham, Beryl and Sara Cook. Rethinking Curating. Art After New Media. Leonardo Book, Cambridge, MASS: The MIT Press, 2010.
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