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Balance-Unbalance 2017: A Sense of Place / COMESTIBLE: Seven-Day Meal Plan
2017
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2017
The daily meal is a powerful human institution and the family dinner table a site where food and home meld into an ‘intimate place’ of nurture. But, in times when climate change jeopardizes food security the question of ‘what will we eat in the
Creating Landscapes and Gardens
2000
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2000
The landscape which contains and surrounds us is the creation of the human community. The garden is nature created by man, a thought created about the world, which appears through human will, is tended and in time, with the transformation of the
Cultivando o hipercórtex
1997
Ascott, Roy. Cultivando o hipercórtex In A Arte no Século XXI: A humanização das technologias, edited by Diana Domingues, 336-344. Sao Paulo: University of São Paulo, 1997.
A Arte no Século XXI: a humanização das tecnologias
1997
Domingues, Diana. A Arte no Século XXI: a humanização das tecnologias. São Paulo, BR: Editora UNESP, 1997.
Unreal
2017
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2017
The debut exhibition "Unreal" will begin on 19 May 2017 and will revolve around epistemological issues. How is reality structured? Is it at all still possible to distinguish between simulated and authentic worlds? How intelligent are artificial
Substance
2017
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2017
We live today in an age of simulation as coined by French sociologist Jean Baudrillard. According to him, simulation is defined as the coinciding of appearance with reality. Thus, the boundaries between fiction and reality are blurred and
Biocybrid Ouroborus: geographisms of the extase
2012
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2012
Workshop and exhibition, results from the collaborative practice of a group of scientists and artists who were involved in all stages from the preparatory stages, in Brazil, to the event in Havana. LART, in the Art and Science circuit by proposing
Creative Technologies and Disruptive Innovation for Reengineering Future: From Humanization to Naturalization of Technologies trough Enactive Affective Systems
2018
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2018
SAM+
Metal Performance: Humanizing Robots, Returning to Nature, and Camping About
2004
Dixon, Steve. Metal Performance: Humanizing Robots, Returning to Nature, and Camping About TDR 48, no. 4 (Winter 2004).
Biota
2011
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2011
Biota is a porcelain sculptural installation employing the morphology of the sea sponge as a matrix. Arranged on low-standing Plexiglas platforms, the sculptures appear as if they were dead coral. In the sea, such exoskeleton frameworks signal the
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