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Kunst als Inspiration medialer Evolution. Intermediale Etappen des Virtuellen im 20. Jahrhundert
2002
Grau, Oliver. Kunst als Inspiration medialer Evolution. Intermediale Etappen des Virtuellen im 20. Jahrhundert Intervalle 5, Schriftenreihe des Wissenschaftlichen Zentrums der Universität Kassel 5 (2002): 57-76.
Kurzweil´s Turing Fallacy
2002
Ray, Tom and Georg Gilder and Ray Kurzweil and Michael
et. al. Denton. Kurzweil´s Turing Fallacy In Are We Spiritual Machines. Ray Kurzweil vs. the Critics of Strong AI, edited by Jay RichardsSeattle, WA: Discovery Inst, 2002.
Film Medium: Zoe Beloff´s Uncanny Resurrections
2002
McCleave, Leslie. Film Medium: Zoe Beloff´s Uncanny Resurrections Res Magazine 5, no. 3 (2002).
Bricks/Bits.html: Intervenções urbanas 1.0
2002
Beiguelman, Giselle. Bricks/Bits.html: Intervenções urbanas 1.0 In Intervenções urbanas. Arte/Cidade, edited by Nelson Brissac PeixotoSão Paulo, Brazil: Senac, 2002.
Liquid Texts
2002
Beiguelman, Giselle. Liquid Texts Leonardo Electronic Almanac 10, no. 08 (2002).
Techno-Transformation und terminale Identität
2002
Weibel, Peter. Techno-Transformation und terminale Identität In Telematik. Netz Moderne Navigatoren, edited by Jeannot Simmen, 9-15. Köln, DE: Verlag der Buchhandlung Walther König, 2002.
Antropologia della visione
2002
Marazzi, Antonio. Antropologia della visione. Roma, IT: Carocci, 2002.
Visionen der Mediengesellschaft
2002
Weibel, Peter. Visionen der Mediengesellschaft In Konzert. Klangkunst. Computer. Wandel der musikalischen Wirklichkeit, edited by Darmstadt Institut für Neue Musik und Musikerziehung, 9-17. Mainz, DE: Schott Music, 2002.
Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies
2002
Deepwell, Katy. Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char
Davies n.paradoxa, international feminist art journal 9 (2002): 64-73.
Collaborative Augmented Reality
2002
Billinghurst, Mark. Collaborative Augmented Reality Communcations of the ACM - How the Virtual Inspires the Real 45 (July 2002): 64-70.
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