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GLOBALE: Without Firm Ground – Vilém Flusser and
the
Arts
2015
-
2015
... answer to Auschwitz” (“We Shall Survive in
the
Memory of O
the
rs”)1 asserted Vilém Flusser...
Sean Cubitt
...t is Professor of Film and Television and co-Head of
the
Department of Media and Communications at...
Artificial Paradise?Immersion in Space and Time
2018
-
2018
... Steensen, Addie Wagenknecht In autumn 2018,
the
Künstlerhaus, Halle für Kunst & Medien will...
Cylinder & Bots
2019
-
2019
...Within
the
ir artistic work Giulia Bowinkel (*1983) and Friedemann Banz (*1980) explore
the
human...
Gabriela Galati
...iela Galati holds a BA and MA in History of Art from
the
Universidad de Buenos Aires, and a PhD from...
Oliver Grau
... to Immersion”, MIT Press 2003 (Book of
the
Month, Scientific American) is with 2600+...
Ryszard W. Kluszczynski
... of Media and Audiovisual Culture. Professor at
the
Academy of Fine Arts in Łódź. 2001 – 2006:...
Featured Scholar Sean Cubitt
08/2015
... Digital Aes
the
tics, Simulation and Social
The
ory,
The
Cinema Effect, EcoMedia ..
Between Benjamin and McLuhan: Vilém Flusser’s Media
The
ory,” New German Critique 110 (Summer 2010): 180-209.
2010
... Benjamin and McLuhan: Vilém Flusser’s Media
The
ory,” New German Critique 110 (Summer 2010):...
Featured Artwork "Campos ❘ Temporales" by Paul Hertz (2022 - 2023)
05/2024
Campos | Temporales (2022 - 2023) by Paul Hertz is a large-scale architectural video installation created for 150 Media Stream in Chicago, featuring a musical composition by Christopher Walczak during its opening night.
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