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  • Cracks to Oases -
    The book describes my personal observations during the workshop Ingrutatti Palermo as part of ‹Manifesta 12› in July 2018. In the course of these 10 days, I was part of a group of artists and architects from around the world. Sara Kamalvand’s
  • Bay-Cheng, Sarah and Jennifer Parker-Starbuck and David Z. Saltz, ed. Performance and Media: Taxonomies for a changing field. Ann Arbor: University of Michigan Press, 2015.
  • Saltzgaver, Harry. Sugar´n´ Spice More Than Just Nice Grunion Gazette (March 4th 1993).
  • NYC 1983-85 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1993 Victor: The title of the piece is the result of me
  • The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of
  • Silhouettes *Iconique* (LICHTPHON / IKONEN 1) Video-Music-Sound-Art-Vision SCHAHRAM POURSOUDMAND Music- & Sound Artist I Composer I Visual Imagist I Poet Format: 16:9/HD Audio: Stereo Length: 9:59 Min. Year: 2019 LICHTPHON is the sound- and
  • .. his artistic development between research in the humanities, multi-sensory engineering and collaborative practice in the fields of digital art and theatre ..
  • Naimark, Michael. Place Runs Deep: Virtuality, Place and Indigenousness In Virtual Museum Symposium, Salzburg, AUT: 1998.
  • Künstlerhaus Salzburg, ed. Der pornografische Blick, Ausstellungskatalog. Salzburg: Künstlerhaus Salzburg, 1988.
  • Event: Der pornographische BlickInstitution: Künstlerhaus SalzburgComment: