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FERROCRYSTALS
2014
Laser-cut and digital print on plexiglass, projected light variable dimensions Photosensitive images are based on microscopic images of the nanoparticles of a magnetic fluid’s crystallized structure. Digitally processed and laser-treated images of
The Neighbour
2009
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2009
"The neighbour, neither friend nor enemy, is the one who may not be in your "network", but is nevertheless in your world." (Sukumaran) This ambitious project is Sukumaran's first major one-person exhibition in the UK. In The Neighbour, two
Building the Emerald City
2004
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2004
The original story of the Wizard of Oz by L. Frank Baum was published in 1900 and was already widely read by the time of the release of the 1937 film of the same name. For most people, the film provides the dominant imagery of the story, and it is
Portrait on the Fly – Video Portraits
2015
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2015
video
Portrait on the Fly – Video Portraits ©2015, Laurent Mignonneau and Christa Sommerer represented by: DAM Galerie Berlin, Galerie Charlot Paris GPL contemporary Vienna This is an ongoing digital archive which consists of short video sequences where
ii - in the white darkness
2004
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2004
video
"In the white darkness“ is an interactive internet-art-piece about memory. The work was created by Reiner Strasser in collaboration with M.D. Coverley (Marjorie Coverley Luesebrink) over a period of 9 months in 2003/04. It assimilates and reflects
Zero City
2018
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2018
“Zero City” is a number of elevator shafts of different length. Their spatial structure resembles a city where the role of each building is to move in a vertical direction. All the elevators are programmed the same way and act as a pack carrying out
Carolina Montejo
... way (2) ”as the photographic and post-photographic are wonder
full
y intertwined in an insightful interpretation of traditions,...
Featured Artist Uršula Berlot
05/2020
.. making visible that which is not before our eyes, that which is not directly evident nor exposed to the view ..
Aromapoetry
2011
"Every poem in the book Aromapoetry employs nanotechnology by binding an extremely thin layer of porous glass (200 nanometers thick) to every page, trapping the odorants (i.e. the volatile molecules) and releasing them very slowly. Without this
entre-deux
2002
video
Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive
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