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  • Organizer: Sandrine Amiel, Parlement européen, Direction générale de la Communication Bureau en France, Paris Special thanks to Adrienne Éva Burányi, Director of Institute Liszt, Paris, Emma Bornai, Attachée culturelle of Institute Liszt, Paris, and
  • Emmer, Michele and Victor Acevedo and Valentina Barucci and Jos de May and Sandro Del-Prete and Robert Fathauer and et. al. Homage to Escher Leonardo 1, no. 33 (2000): 3-16.
  • This was a performance installation at De Lantaren theatre in Rotterdam. When entering the theatre, members of the audience looked through an augmented-reality projection console, where they saw an animated computer-generated image of a swing that
  • Rettberg, Scott and Sandy Baldwin, ed. Electronic Literature as a Model of Creativity and Innovation in Practice : A Report from the HERA Joint Research Project. Bergen: ELMCIP, 2016.
  • Exploded Views 2.0 -
    Exploded_Views 2.0 by Marnix de Nijs is a masterpiece. No doubt about it. It is the most beautiful work of interactive media art I have ever seen. But its most peculiar aspect is that neither its beauty nor its meaning reside in the interactivity of
  • ANTopolis - video
    ANTopolis A large scale interactive media façade for public space © 2020, Laurent Mignonneau and Christa Sommerer Summary: In the interactive media façade project "ANTopolis" virtual ants invade the city. They look for human activities, crawl
  • Stone, Allucquére Rosanne. Virtual Systems In Zone 6: Incorporations, edited by Jonathan Crary and Sanford KwinterCambridge, MA: The MIT Press, 1993.
  • Event: Look up MumbaiInstitution: CSMVS - Chhatrapati Shivaji Maharaj Vastu SangrahalayaComment:
  • Event: A Sangre y Fuego (No Quarter Given)Institution: Espai d'Art Contemporani de Castelló (EACC)Comment:
  • Kluszczyński, Ryszard W.. Between Public and Private Space: The Art of Sanja Iveković In Sanja Iveković: Is This My True Face, edited by Tihomir Milovac, 5-15. Zagreb: Museum of Contemporary Art, 1998.